Kate Fitzharris' sculptural installation in the Darkside Gallery, Walk, documents and memorialises the artist's journey by foot from the Blueskin Bay oyster beds to the Blue Oyster Art Project Space. 

Rose McLeod's Upper Gallery exhibition Memory and Fabric is a textile installation initially motivated by an important loss in the artist's life.

Dan Roberts, Anne-Mieke Ytsma, Craig Freeborn and Mariya Semenova.

Using technology to look at the relationship between time and space, and, in particular with regards to the ‘neutral’ space of the gallery, Jenny Gillim presents Frank, Blue Oyster Art Project Space in the Upper Gallery.

In the Darkside Gallery, Cara-Ann Simpson’s Geo Sound Helmets is an interactive sound and visual art installation that explores the creation of new technology (open-air active audio signal cancellation) and perceptions of space.

In the Lower Gallery, Emma Febvre-Richards’ photographs and drawings for The Rituals of Control will investigate how technology has produced a lack of spontaneity in adult life.

Rugby has long been a hallmark of New Zealand’s identity, permeating our culture. Art can provide a medium to take a look at ourselves and the things that are important to us, from another angle.

Three recent graduates from the Dunedin School of Art: Oliver van der Lugt, Claire Mahoney and Tom Garden.

In the Upper Gallery: Storage Systems by Margaret Feeney, encouraging collaboration and interaction from gallery visitors.

In the Darkside Gallery, Castleland subverts the fairy tale idea of a castle and was inspired by growing up in Dunedin – a city with its very own castles.