Junk food, sweets and soft drinks are the medium for Ro Bradshaw's Lower Gallery exhibition Please God, let my children grow and live happily ever after.

Collaborative artists Ana Terry and Don Hunter present Indigo Blues in the Upper Gallery, video and object based work derived from their residency in Beijing last year that included an exhibition in Beijing at Platform China Contemporary Art Institute.

A lone school chair and blackboard have been reconfigured into sculptures that represent the tension between the physicality of the human body and the ethereality of the mind in Ben Pearce's installation Nervous System, located in the Darkside Gallery.

In the Lower Gallery Lyon revisited her teenage bedroom and chosen some of the male pin-up idols she had crushes on as a school girl. She then gives herself a make-over to recreate the men, and photographs herself as them.

Shown in the Upper Gallery and presented in association with the 2011 Dunedin Fringe Festival, Colleen Altagracia's The Fullness of Empty Pockets consists of expanding casting foam that fills and then sets in people's empty clothing pockets whilst being worn.

Mysterious black and red creatures will come to life, transforming from paintings on the wall into 3D creations. In the Darkside Gallery, Andy Leleisi’uao presents Arytipidal.

In the Lower Gallery, Clare Fleming's At once we are rootless and harbouring, floating on an inland sea (I am from here).

In the Upper Gallery: An interface is the area shared between two distinct bodies. To interface is the coming together of two distinct bodies. Molly Samsell’s photographic prints function in both linguistic senses.

Located in the Darkside Gallery, Anisotropy is a spatial property characterised by non-isotropic, non-Euclidean geometry.

Located in the Lower Gallery, 4:00am Tondo Rondo is a collaborative project between the artist Catharine Hodson and a surface engineer and her team, Antoinette Wood et al.