Red River (Katrina Thompson, Max Bellamy), Aerolineas (Storm Gold and Julian Holcroft), Joshua Rutter, Motoko Kikkawa and Kimberly What, Alex Bennett, Full Fucking Moon (Bek Coogan, Torben Tilly).

Victoria Andersson, Andrea Chandler, Anna Eckert, Jacquelyn Greenbank, Ngahina Hohaia, Malena Karlsson, Genevieve Packer, Jeanette Scharing

Debbie Adamson, Gwen Hudson, John Paxie, Alex MacKinnon, Lars Preisser and Jesse Simons.

Elise O'Neil and Aroha Novak present handmade military and consumer items which have been constructed from recycled materials in the Upper and Darkside Galleries.

In the Lower Gallery, Elspeth Fougere's Here, There and Everywhere (We are a Community of Cells) begins with a mass of woollen crochet spirals that evoke a collection of cells. 

In the Upper and Darkside Galleries, Matthew Hammond has chosen to begin simply, with a bus ride through Edinburgh.

Hamish Tocher's Overhead Project (Villa of the Mysteries) draws upon the figures, mysterious initiation rituals and crimson hues of the Pompeiian fresco cycle of the Villa of the Mysteries in the Lower Gallery.

In the Upper and Darkside Galleries, Heather Straka presents a series of large format photographs, infused with her painterly and gothic style.

Working in a variety of media, Hannah Riley toys with the idea of transmuted boundary lines, both physical and social in the Lower Gallery.

Curated by Ali Bramwell, Unstable Institutional Memory: 10 Years at the Blue Oyster uses as a starting point a group of iconic works produced by Hannah Beehre, Steve Carr, Richard Crow & Michael Morley, Julian Dashper, anonymous and Margaret Roberts for the Blue Oyster over the course of its history.