In the Lower Gallery, Trouble Everyday sources ‘found’ printed images and contain ‘found’ artworks from the 60s/70s Earthwork era.

Installation which investigates issues involved with private and displaced spaces in the Upper Gallery.

An examination of a females perception of masculinity  through the documentation of the everyday activity of shaving, using film and photography in the Darkside Gallery.

Emily Cannan, Mark Currie, Emily Hlavac-Green, Julia Johnstone, Michelle Krause, Alex Lovell-Smith and Jess Lousley.

Recognising the importance of site to this new painting and installation series, Adam Douglass’s opening will be held at his studio in Bath Street.

In the Upper Gallery, Aidan Howse’s exhibition explores the use of the ceramic medium balancing traditional techniques with non-conventional methods.

Inspired by three events in New Zealand history, C. Scott presents Untitled (Past) - experiments in impermanence in the Darkside Gallery.

In the Lower Gallery, MODERNLOVE explores the paradigms of genetic engineering, nanotechnology and cloning- specifically in the area of 'in vitro fertilisation'.

Hiltons work transforms the usually non-commercial environment of the Blue Oysters Upper Gallery into retail bliss: a CLEARANCE SALE!

In the Darkside Gallery: Like the uncontrollable unfolding of conversatition meandering, pacing, interrupted, McInytre's installation presents the multiplicity of story telling, recounting and interpretation.