Neil Emmerson will be utilising all three gallery spaces at the Blue Oyster for his installation (are we there yet...?). 

For Spaceships, James Robinson leaves his painting practice to investigate through sculptural processes, specifically model making in the Upper Gallery.

Equipotential Bonding is a plumbing term used where contact with an exposed system as the possibility of an electric shock, if left unearthed. In the Darkside Gallery, Charlotte Parallel presents Equipotential Bonding.

In the Lower Gallery, Kirstin Perrett refers to Rousseau's jungle paintings directly to emphasise her ideas on the representation through the imagination of the artist and the power of the digital artist in reconstructing realities.

In the Upper Gallery, Jay Hutchinson critiques western values of labour. In his own practice labour is an intensive component.

Scottish artist Ailie Rutherford shows Drawing on Dreams in the Darkside Gallery. For the past nine years Rutherford has been documenting her dreams.

In the Lower Gallery, the Blue Oyster will be showing Blue Movies, which will feature work held within the Video Archive.

In the Upper Gallery, Belinda Harrow presents Want or Need.

Jenna Todd presents myspace in the Darkside Gallery.

In the Lower Gallery, Surface Revisited presents work of 2006 Francis Hodgkins Fellow Sarah Munro.