In the Lower Gallery, Angela Lyon's photographic project examines the pressure to be the perfect woman in Tenderhooks.

In the Upper Gallery, Kim Swanson presents Hood, an exploration of identity and disobedience, whether it is real or just perceived.

In the Lower Gallery, Fiona Lascelles presents natura stupet, exploring Eden as a quixotic construct, both abstracted and romanticised, driven by colonising impulses, and overshadowed by the threat of exploitation and ultimately expulsion.

Regan Gentry, Emma Smith, Ros Cameron, Amelia Bywater and Louise Tulett.

In the East Side space: Emily Harris explores what she calls an 'adolescent aesthetic' in Who will teach me to paint the wind.

In an exhibition more about the process of creating work than about presenting its conclusions, Monica Peters presents morph OBSERVATIONS IN THE FIELD in the West Side space.

Lisa Benson, Ali Bramwell, Julie Callow, Sophie Canaday, Boon Cartel, Iain Cheesman, Lynda Cullen, Blair Cunningham, Nick Dewar, e.i.kapai, Amanda Floyd, Shane Harvey, Jay Hutchinson, Don Hunter, Leah Houghton, Craig McNab, Anna Muirhead, Brendan Jon Philip, James Robinson, Jim Searle, Kim Swanson, Ana Terry and Alan Tansley.

In the East Side space, Anonymous presents The Hawthorne Experiment a anonymous collective of artists who are interested in performing an idea centered on identity, control and power.

In the West Side space: Kurt Adams introduces smudges and imperfections, glitches and errors a magnification of the artist's hand in a digital built work.

In the East Side, Gary Bridle, Sandy Gibbs, Geoff Newman and Kim Paton present Clubmeet.